Friday, October 17, 2025
More Kings
Thursday, October 16, 2025
Connection
Sunday, October 12, 2025
Vespers by Spivakov
Confession: I've always kinda hated the Rachmaninov Vespers... until today.
One at a time, the Vespers are a magnificent experience. They're so beautiful, so spiritually deep, but they all sound the same... One chorus of Godiva chocolate after another, until they all blur into a pool of generic, monotonous beauty, like angels floating around a church.
Rachmaninov may sometimes wear on ears like mine, but the Vespers's beautiful reflection pool is so unlike the musical personality we know so well. Rachmaninov's piano playing is tightly coiled, cast in bronze, so rhythmic, so dynamic, so solid. Richter called him 'an oak.' Rachmaninov the composer is a born architect, always terracing every moment of a piece so that we know exactly where are its peaks and valleys. There's a story of the young Rachmaninov conducting Mozart 40. Everybody was used to hearing Mozart 40 in Dresden Doll dress: slow tempi, legato phrases, monodynamic gentleness. Rachmaninov apparently intuited the modern way with faster tempi, full dynamic contrasts. It came upon the Russian audience like a revelation.
Today I heard Vladimir Spivakov conduct the Vespers and my view of it completely changed. Spivakov is a violinist first, conductor second, and choral conductor tenth... He clearly has a unique perspective on a work lead by every choral conductor in the world, most of whom have their paint-by-number interpretation, no different than anyone else's.
This Rachmaninov dances, it has percussion and angles. This is the country of the Trepak and Troika, the Barnynya, the Kamarinskaya and the Kalinka. There is plenty of spiritual beauty to offer the Lord, but here is also beauty of the earth. This is the oaken Rachmaninov of our memories.
Compare this performance to a performance like Robert Shaw. Shaw's singers are so exquisite, so beautifully matched to the church's echo. Shaw conducts like the brilliant choral conductor he is, with blend, intonation, diction, matched so euphoniously that it attains a kind of perfection.
The only problem is that Rachmaninov is not a choral composer. He is an instrumental composer who made but two major ventures into the choral world and otherwise returned to the piano and orchestra. What shape does this music have in most performances? In most Vespers performances, the formlessness coagulates like a luminescent amoeba.
This Rachmaninov has imperfect intonation. It also has spine, it has development, it has a plot and expresses something more specific than merely the ineffable. Dostoevsky was as much a creature of the Russian earth as of the Orthodox heaven. Why should Rachmaninov not be the same?
Thursday, October 9, 2025
I'm not in the mood for peace....
Wednesday, October 1, 2025
A Message This Yom Kippur
My favorite thinker, Isaiah Berlin, warned of the dangers of something called 'monism.' He divided the world between 'foxes' who know many things and do not overly subscribe to one, and 'hedgehogs' who know one big thing and see the world in one overarching rubric. Foxes are 'pluralists' who see the world as being able to accommodate many sorts of values, many of which fall into contradiction with one another and still see some value in them all. Hedgehogs, however, are 'monists', who believe that there can only be one solution, and in Berlin's opinion, which happens to be mine too, 'in politics, these are the most dangerous of men.'
Monday, September 29, 2025
The Days of Judgement
It's still difficult to write. I have so many ideas, but so little energy to pursue them to their logical conclusion.
I'm eating again. Not binging like I used to when I was fat, but experimenting with food that is still ostensibly gluten free, and 'tis enough to make me sick every time. Day after day of food experiment because the usual diet is unbearably narrow for a solemn pain like grief, and day after day of illness. The burping, the bloating, the brainfog and memory problems, the dizziness and accelerated heartrate, the esophageal pain that occasionally emanates all through my back. Pretty soon there will be an outside shot I may follow Dad if these experiments do not cease. Such is the detriment of addiction.
It feels good to say that out loud. I don't know if it's true, I certainly hope it's not, but it's right to think that way this fortnight. At the same time I want desperately to live a healthy life, I dream of an 'artist's death.' Working yourself into oblivion as your body fails, leaving things for eternity, posturing for history even as you depart from the here and now which matters so much more, but I'm so blocked, so lazy, so procrastinative. There are so many writers online with so much larger an audience, who can possibly be noticed among this buzzy din? Let alone a not much better than solid writer like myself.... All I wanted to do is be a great artist: instead I'm just a sloppy purveyor of sentences. Occasional flashes of something better appear, but who would notice among so much that's not much better than mediocre (I'll at least give myself credit that a lot of it's OK...).
Nevertheless, on Rosh Hashana God opens the Book of Life and the Book of Death, and he chooses to inscribe us all in one or the other.
That's the extent of our reason to be terrified. This time of year is more solemn than terrifying. Judaism does not believe in heaven or hell. Judaism consigns the dead to a place of purgatory for a few months where one atones for their sins, and then the soul ascends to Olam Ha'Ba, the Next World, where there is nothing to do but pursue the chiefest of all joys, the font and source of joy for all our lives: learn Torah.... for all eternity...
The terror is in this world. On Rosh Hashana we intone the awful fates of the Unetanah Tokef, the most terrifying among many terrifying prayers this time of year, giving us the awful litany:
Who shall live and who shall die,
Who shall reach the end of his days and who shall not,
Who shall perish by water and who by fire,
Who by sword and who by wild beast,
Who by famine and who by thirst,
Who by earthquake and who by plague,
Who by strangulation and who by stoning,
Who shall have rest and who shall wander,
Who shall be at peace and who shall be pursued,
Who shall be at rest and who shall be tormented,
Who shall be exalted and who shall be brought low,
Who shall become rich and who shall be impoverished.
My father's parents were Holocaust survivors, and while Bubbie Witow lived her most blessed old age to a hundred, Bubbie Tucker would hear the great litany every year and weep. God alone knows what memories went through her head.
But the melody of the Unetaneh Tokef is so beautiful, and Zaydie Tucker, with so little ear for music, truly loved it. In the last years of his life, beset by dementia terribly, Dad would sing the melody of its line, and Zaydie would smile. The melody of the two lines immediately preceding:
On Rosh Hashanah it is inscribed,
And on Yom Kippur it is sealed.
Almighty God,
Please sentence me to life,
Amen
Sunday, September 28, 2025
Happy new year to everybody. Gut yontif, gut yor.
This has been a painful two years for Jews. Jews are now realizing the time immemorial Jewish position of being caught and tangled by history. Insurmountable problems, zealots everywhere, including among us, blamed for things that are not our fault, and occasionally even blamed for things that very much are. Where we are is where dozens of generations of Jews have been before us and dozens of generations after us will too. There is never an easy way out of this net, it just is what it is.
Friday, September 12, 2025
My Father's Radicalization
Tuesday, September 9, 2025
Dohnanyi: As much of an appraisal as I can give right now.
It really pissed me off to read Karajanites shitting on Dohnanyi in Lebrecht's comment section. Much was made about Dohnanyi hating Karajan's interpretations. Well, according to Dohnanyi, Karajan clearly tried to stymy his career, and Dohnanyi had to go to America to achieve the stardom he frankly deserved more than Karajan ever did. As for his aesthetic objections, would you expect a light and balanced Erich Kleiber-like maestro like Dohnanyi to think differently of Karajan's virtuoso soup?
Wednesday, September 3, 2025
I would like very much to write again, but the feelings are still too raw, the shock too great, the perception of reality too tenuous. It still feels like he's here.
I will never see the giant who dominated my life again. I don't know how others feel when they lose their parents, but I still haven't figured out how to grieve except awareness that there is an enormous void where once was a planet around which I revolved. He was my worst enemy, he was my best friend, he was my greatest and my worst teacher. He was the man who succeeded by every traditional metric life threw at him, and I was his outside the nine dots son who oI will never see the giant who dominated my life again. I don't know how others feel when they lose their parents, but I still haven't figured out how to grieve except awareness that there is an enormous void where once was a planet around which I revolved. He was my worst enemy, he was my best friend, he was my greatest and my worst teacher. He was truly the most devoted father imaginable, he was also the most controlling, willing to do literally anything for his son except let go of him. He was the man who succeeded by every traditional metric life threw at him, and I was his outside the nine dots son who only thrived in alternative environments. Alternate sorts of people were the only thing about life he didn't understand, and because he didn't understand them, he disapproved of us all. He was the father whose approval I always doubted, and I was the son whose love he always doubted. Even as we joked around for part of every day, there was part of the day when we strongly suspected we were hated by the other. To me, he was both a god and a demon. There was not a single development about which I did not know every detail of his opinion, either about my life or anyone else's. We were enmeshed, inseparable even when neither of us wanted to be. We loved each other dearly, but neither of us could ever be what the other wanted. When it was great, it was fantastic. When it wasn't, it was awful. He was so much more than the public comedian. He affected cynicism about people's ambitions and successes, but he craved the world's approval as much as anyone I've ever met. He went to comically distant lengths to conceal the true extent of his success and intelligence. In private he was the most formidable man whose abilities and work ethic commanded awe to anyone who saw them, and he took it very personally when his eldest son could never command anything like the same awe. I will forever feel unworthy next to him. He was everything in my life. What is my life without him?nly thrived in alternative environments. Alternate sorts of people were the only thing about life he didn't understand, and because he didn't understand them, he disapproved of their very existence. He was the father whose approval I always doubted, and I was the son whose love he always doubted. He would do literally anything for his son except let go of him. Even as we joked around for part of every day, there was part of the day when we strongly suspected we were hated by the other. To me, he was both a god and a demon. There was not a single development about which I did not know every detail of his opinion, either about my life or anyone else's. We were enmeshed, inseparable even when neither of us wanted to be. We loved each other dearly, but neither of us could ever be what the other wanted. When it was great, it was fantastic. When it wasn't, it was awful. He was so much more than the public comedian. He went to enormous lengths to conceal the true extent of his success and intelligence, but in private he was the most formidable man whose abilities and work ethic commanded awe in everyone who saw it, and he took it very personally when his eldest son could not command anything like the same awe. I will forever feel unworthy next to him. He was everything in my life. What is my life without him?