Question for you all: how much does fidelity to the score matter for you in a performance: adherence to tempi, dynamics, rhythmic and ornamental articulation, and transparency? The latter is the toughest question because it often requires subverting the exact score markings.
Friday, March 13, 2026
Sibelius and the Score
Tuesday, March 10, 2026
Boston Symphony Music Director Tier Ranking
My favorite orchestra needs a director. May it see better times.
S Tier Picks:
Hannu Lintu: Everybody agrees he's extraordinary. Is he perfect? No. 50% Mitropoulos, 30% Horenstein, 20% Karajan - just enough Karajan to make good playing a priority. A little slick sometimes, a little self-serious others, not known as the friendliest or most compromising guy, but he more than matches the weaknesses with a serious darkness that is almost expressionist. What can sound cold on recording is red-hot live. Go to Bachtrack or Seen and Heard, wherever he goes, he gets the kind of raves you expect for Petrenko, and for plenty more than Sibelius. Technically brilliant, musically curious, passionate and deep. Whoever gets Lintu will be absurdly lucky. Is he completely right for Boston? Maybe not, but it's worth finding out. If Salonen's too busy but they want someone who can do just about everything Salonen can but better, there he is.
https://www.youtube.com/watch?v=-nDBReeU_QY
Vladimir Jurowski: He is almost a legend at this point. Unfortunately he is in the shadow of Petrenko and Rattle in both Berlin and Munich, and he needs his own place. He'd do great in Boston, but he needs a little more warmth for the traditional Boston profile. He should be the next director of the Cleveland Orchestra: seriously, he'd be perfect for them, but his commitment to modernism, his Markevitch-like precision, electricity and musicality, and his incredible programming make him one of the greatest of our time.
https://www.youtube.com/watch?v=ODdzJKe4400
Joana Mallwitz: I don't know for sure, but again, go to Bachtrack or Seen and Heard. She can't get a bad word said about her. This is a major talent who steps in front of the podium to give lectures as well as perform. Is she old enough to teach other musicians yet as a credible mentor? I don't know, but I do know she has as much talent in her as Petrenko, or maybe even, in her way, Leonard Bernstein.
https://www.youtube.com/watch?v=KcWIdZz4C44
Stephane Deneve: Has everything necessary: French music, pedagogy, new music champion, beloved of many orchestras, even does all sorts of Pops programming. Any orchestra would be lucky to have Deneve. He's a true maestro who probably should have gotten Boston the last go around. If other candidates are on his level, it's only because dark horses are around who are just that extraordinary. He's in St. Louis and Miami already, but Boston has a time honored tradition of poaching other people's MD's (somehow a lot of the people being mentioned already have two jobs...).
https://www.youtube.com/watch?v=fyRkfmeMj2g
S- tier:
Esa-Pekka Salonen: He's too old, even if he looks like a silver haired high school freshman. I don't particularly care for a lot of his performances (outside Stravinsky, where he's the master of masters), but he has ideas, he has experience, he has teaching experience, he has a stunningly innovative blueprint for what he wants to do. The problem is that he's back to his LA commitment and Paris besides. Maybe there's a way to scale it back and come to Beantown. If he scales back, he automatically goes to S tier.
https://www.youtube.com/watch?v=QyZPt7GqNA8
Karina Canellakis - I'm not a fan of Canellakis. I find her cold as steel, like a younger Zweden. But the skill, intelligence and excitement is obvious. She does everything: the whole rep from Mozart to premieres. The skill with which she does it is flawless and the electricity is ever-present. Her parents are eminent music teachers so she probably knows how to teach. She strikes me like a potential American Karajan, or a neo-Reiner. I don't like them, but maybe it's just a style I don't like.
https://www.youtube.com/watch?v=TZ3j3xWPMbI
A:
Marin Alsop: America's musical politician has genuinely gotten much better over the years at the musical side of things. The time in Europe has done her much good, and she's clearly worked like a dog to improve. Even if she's not a master of the standard rep, she's very good in it now. She always was good in new music, but most of the new music she does is getting a little long in the tooth. The truth is, were she 15 years younger and doing the work she does now, she'd be nearly ideal, but the 70s are the 70s.
https://www.youtube.com/watch?v=NjIduF3equQ
Dalia Stasevska: A Russian-style romantic who could recall Koussevitzky, though she does not get Koussevitzky's aristocratic tone. She does all the new music anybody could possibly ask for. Everything's a little heavy-handed, but nobody can accuse her of lack of enthusiasm or passion. I'd take her over Canellakis any day. The problem is that everything flies apart under her. When you're risking that much, there is so much potential for the orchestra to lose itself. Someone who gives that much in performance well may burn out in ten years and be as tired as Nelsons.
https://www.youtube.com/watch?v=Y-BVtqm-188
Cristian Macelaru: In terms of pure excitement, he stands pretty much alone among today's podium artists, neither Canellakis nor Stasevska can equal him, not Honeck, not Jurowski, not the Jarvis, not Gergiev or Dudamel or YNS. Nobody else raises the pulse like that, but unlike certain stars, he does it while staying entirely in the bounds of musical values: dynamics, balance, rhythm, vocal line, they're all impeccable. If he were a worse musician he'd be a bigger star. He has a massive repertoire and does massive amounts of new music, is fantastic in the Russian and French rep Boston is famous for and respectable in a lot of the Germans. He reminds of no one so much as Antal Dorati, but there is something about him that even seems Toscanini-ish. But he's starting in Cincinnati just now, and he has yet to show he can completely get along with an orchestra, has he?
https://www.youtube.com/watch?v=4Ney_ofUv2o
Susanna Malkki: Not a huge fan. Another 'overcontroller' who gets relatively marginal results in standard rep, but does so much service to new music that she has to be taken seriously. She was basically brought in as Principal Guest in LA to do all the progressive stuff, but Dudamel got the credit for it while still doing basically the standard rep. She is one of those truly 'cold Finns', but she is a real force for progress and has more than earned the right to be taken seriously.
https://www.youtube.com/watch?v=z0hPMKRDzvw
Robert Trevino: Another 'not favorite' but you gotta recognize game. Huge rep, lots of new music, gets the most unbelievable standard of playing, brilliantly articulate and funny speaker, what the hell is he doing in Romania?
https://www.youtube.com/watch?v=xzu6G3Se3xs
B:
Dima Slobodeniouk: Russo-Finn of great electricity and little warmth. In twenty years as he warms he may emerge like Mackerras or Blomstedt as one of the great conductors of all time, but as of yet, he's just another Finnish machine: but a good Finnish machine. In the meantime, he should be an honored guest everywhere, who does exciting performances throughout the standard repertoire and some new music besides, but put him in front of the BSO and he'll be another Leinsdorf.
https://www.youtube.com/watch?v=qGF22S0qqf4
Jonathon Heyward: He is so clearly the future of American orchestral life. He's going to be the biggest thing since MTT, potentially since Leonard Bernstein. His best performances show that his potential is infinite, worthy of the greatest names of all time, but his worst are still abysmal: as he is the director of my local, I can say that the quality is unpredictable every week, going from Tennstedt-worthy to first year conducting student. As of yet, he is much more than flash, much less than substance. To his credit, much of his work goes into new music and goes well out of his way to sponsor African-American composers and others from minority demographics. He's an extraordinary talent who should be a serious contender for the next time it comes around, but he's not ready. Put him in the spotlight now and he'll wilt like Nelsons.
Nathalie Stutzmann: Listed by Lebrecht as the favorite, one of the most talented all-around musicians in the world has not gotten better over the years on the podium even as her career took her nearly to stardom. When she was just another journey(wo)man, she was very nearly a master of the standard rep, but not now, and has little new music to supplement it. Whereas she had a wonderful light touch in earlier years up there, she now approaches with an incredibly heavy hand: ponderous when heavy, driven when light: half Celibidache, half Norrington. Atlanta apparently has trouble with her already. If she can get the old mojo back, it'll be great, but if she doesn't, it'll be awful.
https://www.youtube.com/watch?v=k7MZ7HwV-SA
C:
Juraj Valcuha: My favorite among today's 'middle generation' now that FX Roth is... well... never mind... The most probing podium musician under 50: a modern Klemperer, E. Kleiber, Jansons, Giulini, whatever Apollonian you want to name. He does everything, and he does it as music, not excitement. I have no idea about him as a communicator; I have no idea about him as a teacher. Let him concentrate on music, let him get something in Munich or Berlin, he'd be wasted in Boston. Soon he'll be one of the greatest musicians on earth.
https://www.youtube.com/watch?v=6UMfL8wMALg
Daniel Harding: The modern Reiner. Intelligence and frost everywhere, the most amazing technical results to no purpose, emotionally arid, and has trouble getting along with the people in front of him. But he does champion all sorts of modern music and can do many different styles. Musically, he would do well should he so choose, but it often seems he chooses not to do well.
https://www.youtube.com/watch?v=FIWi6zfFvXU
https://www.youtube.com/watch?v=2nkxt3_81gU
Mirga Grazynite-Tyla - She certainly has the charisma and warmth for it, and her musicianship is growing exponentially. But her repertoire is terribly small.
https://www.youtube.com/watch?v=FQkvU1n_7aE
D:
F:
Klaus Makela: Let's face it, he'd go for a fifth orchestra.
---------------------------------------------------------------------------------
Who will get it: Once again, Salonen will be offered first. If not him, probably Deneve. If he turns it down (possible), then Canellakis.
Who should get it: Probably Lintu. But Deneve would be a superb pick. If they'd value their tradition properly they'd seriously look at Thierry Fischer. In ten years, Marie Jacquot might be perfect.
In a better world: Francois-Xavier Roth would have it in the bag, but he couldn't keep it in his pants.
In a perfect world: Markus Stenz would get the attention he deserves and get this as the career capstone.
Would be nice but too old:
Simon Rattle
Krysztof Urbanski (!)
Thierry Fischer (!)
Antonello Manacorda
On 44
It has been... a year. The dominant person of my life is no longer with me, but he is still with me all day every day as I feel my own Poppy clock catch up with him. I hope to make it to his 79 and well past it, but today was as bad physically as it was gratifying emotionally.
Thursday, March 5, 2026
Letter to Dad #3
Oh Dad,
It's happening. Everything you called, everything you prepared us for, everything that bounds to that world from which we hail. The cycle of history begins anew, and everything my peers are not prepared for occurs just out of your reach to see your vindication.
I was the last person ever born to another world. Not a world of Europe, but a world of European immigrants, immigrants of Eastern Europe who carried their burdens tattoo'd on their arms. Yiddish speakers everywhere, in the grandparents house, in the nursing home, in the stalking streets of a Baltimore suburb to which they never belonged.
We belonged to the twentieth century when everyone we knew belonged to that bizarre event horizon between the centuries when history didn't matter, turbulence didn't matter, suffering didn't matter, life didn't matter. Now life matters again, life is threatened, and they don't know how to save lives. It sometimes seems you died at the very moment when your wisdom was necessary, but the truth is that your wisdom was always necessary. The wisdom of unreconstructed practicality is what kept us all alive for all your eighty years, from the moment of your conception to the moment of your passing, taking things as they come and solving problems as they happen. You often did it unwillingly, you were so obsessed with solving problems that you tried to solve them before they happen, but I have doubts there is such a thing that there is a problem before a problem happens, problems are unpredictable: an infinite series of black swans. But when it came to solving problems once they happened: personal and abstract, there was no one better in the world.
You were a cold warrior to your dying day, personally, not politically. Emotions did not matter to you, just the problem itself, and you solved them at the very root even as feelings were constantly bruised. You were the glory and problem of America writ small: people who solve problems as problems happen have to steamroll over everybody who isn't convinced the problem is a problem, and in the process, your practical protection became a kind of prison. It wasn't just me who rebelled against you, you were the embodiment of everything America rebelled against since 1968. You wanted us all to be safe, we all wanted to be free. To you, freedom was a myth, a tiny piecemeal thing whose share we had to settle for regardless of how it was apportioned. Even if that was what America practiced, it was the opposite of what we all preach. You were every stern, holier-than-thou father this country ever had who governed in the opposite of the American ethos and viewed us all as a collection of statistics: you were Robert McNamara, you were Henry Kissinger, you were Jimmy Carter, you were Michael Bloomberg, you were Hilary Clinton.
But it's all happening now. Events are careening out of control in entirely the way you said the world works. Every dialectical probability happened. The right went haywire my whole life, it pushed the left haywire, which made the right still more haywire. Practicality saved this country a thousand times as it's saved every country, and ideology is what tears it apart. Secular atheists lost their connection to their ancestral religions, and it pushed those who stayed with religion into every type of orthodox nuttery, which turned the secularists into their own religion of identity and solidarity. Overachievers who left their small towns turned the differently abled who stayed into feeling like rejects, which lead them into a series of arms more demagogic than the last in every decade, who gut cities of funding and made them ever more unlivable. Republicans think government is ineffective, so they work to make government ineffective, which make leftists want to revolutionize the government, which makes Republicans embrace the politics of revolution. Vulture capitalists want unregulated capitalism, which provokes Democrats to flirt with socialism, which provokes the vulture capitalists to turn the economy to a potential dictatorship of automated, artificial capitalism that fills the accounts of three people and makes all our meals dependent on whether they're feeling charitable.
We all did this to ourselves, and you always seemed so certain about it; but none of it had to happen this way, even if it usually does. Probability always stated that this was America's direction, and everything eventually dies, but haven't declining powers saved themselves before cataclysm by adapting with the times? I can't think of when, but I'm sure if I pause on writing for enough time I'll think of examples. Just because we likely won't adapt with the times doesn't mean we shouldn't fight with every inch to make them adapt.
For years I've said the faultline of civilization is Israel, but I used to think it was the border between Greece and Turkey. It would seem currently that I was half right both times, the bad half... Israel provokes Iran, Iran fires missiles on Turkey, Turkey involves NATO, NATO fights Iran, Iran enlists Russia and China, and we're all in serious, serious trouble. A potential war now has two battlefields: somewhere between Russia and Ukraine, and somewhere between Israel and Iran. All it takes now is for China to invade Taiwan and cut off US economic interests and we have an almost unavoidable world war where all the world's major powers line up side-by-side and there won't be any world powers any longer.
Whatever's concealed in those Epstein files must be so absolutely spectacular because Trump will do literally anything to conceal what's in them, including provoke World War III. Would Trump and Netanyahu start WWIII rather than relinquish power? How is that even a question at this point? Every time Netanyahu and Trump are down in the polls, there's another war. There's another conflict that can't wait. Again Iran is three weeks from the bomb when they were three weeks away from it fifteen years ago. Governments are decapitated until the moment the polls go up, at which point the governments are left in place. First Venezuela and now Iran, we decapitate their governments not because they're strong threats, but because they're weak. They can't fight back, and it's utterly trivial to world events that we go after them any more than we already have.
Except it's not trivial. If Putin and Medvedev are serious about the incursion into Iran, then perhaps I was utterly wrong about the Trump being a Putin agent. Or maybe Trump is finally rebelling against his overlord. Put two psychopaths in a conspiracy together and one will eventually turn on the other as surely as Hitler turned on Stalin.
You told me I was a conspiracy theorist with how far I took all this. It's entirely possible you're right. But the last ten years of your life showed us that just because 49 in 50 conspiracies are insane doesn't mean the 50th didn't happen. Kissinger did promise to give Ho Chi Minh a better deal if he walked away from Lyndon Johnson's peace talks, then kept the war going another six years, anywhere from nearly 1 to nearly 5 million Vietnamese died in the extra six years and 30,000 American troops. Candidate Reagan made the same promise to Khomeini to wait on releasing the American hostages, then backed Saddam in a war to overthrow Khomeini: 500,000 to 1 million dead. Rumors of CIA involvement in elections turned out to be absolutely true in nearly every country. Rumors of r*pe in Hollywood and the Church turned out absolutely true. Rumors that FDR could have stopped Auschwitz but decided not to. We told ourselves that it was sane not to believe all this: and then a quarter of the world's conspiracies turned out true. So many things about Trump walk and talk like a duck: the Russian agent theory, the underage r*pist theory, the Deutsche Bank theory, the pay for play foreign governments theory, the lost migrant kids theory. At this point, nobody can tell us that Trump is not as nefarious as he looks: so far beyond Clinton, W, Nixon, Harding, even Burr, that he is the tectonic event from which America may fall, the event to which you spent your entire lifetime witnessing the lead up.
Just as your parents did, at least some of us will make it to the other side. Unless we change our ways, left as well as right, we are headed for exactly that cliff our old world fell off from 1914 to 1945. Whether it's 1914 now or still only 1890, we can still stop every disaster before it happens, but every day we don't turn back it gets harder and harder. You might have said that this is why you have to anticipate problems before they happen. Why does that matter? The problem is here.
Wednesday, March 4, 2026
Books that will help: On History by Benedetto Croce - first... 20%?
Over and over again, we hear from old school moderates, conservatives, even some liberals, that we can't judge the past by the standards of the present. Well, here's an unreformed liberal thinker, one of the very greatest of the twentieth century, who says we very much can judge the past, in fact we must, and that if we don't judge, history is utterly meaningless. He might have some quibbles with how we judge it, but while he'd insist on his right to critique, he would look on things like the 1619 Project and recognize that such projects to reclaim past identity in the present is the only way that history means anything at all. .
By liberty we do not mean a fixed condition once achieved and then preserved unchanged. Liberty is not a possession. It is a continual activity of the spirit. It is the effort through which human beings free themselves from what constrains them—whether these constraints arise from nature, from social structures, from inherited beliefs, or from the passions and illusions of the mind... Seen in this way, the history of liberty is not merely the story of political freedoms or constitutional institutions, though these are among its expressions. It is the story of the human spirit gradually becoming conscious of itself and asserting its power to shape the world in accordance with reason and moral purpose.
Sunday, March 1, 2026
Letter to Dad #2
Monday, February 23, 2026
Letter to Dad #1
Thursday, February 19, 2026
For Jose van Dam (1940-2026)
Wednesday, February 18, 2026
Enjoy Every Sandwich - Half of it
The greatest thing to happen in years happened this week. Greater than love, greater than friendship, greater than a sports championship, greater than music, books, movies and sex.
I started beta-blockers.
On vacation.
It was supposed to be an overnight trip to see my favorite conductor and favorite orchestra play my favorite piece of music. A train up, one night in Boston, then a train home. Two glasses of wine in some bar while talking to some guy and our bartendress about... what did we talk about? Then back to my hotel room.
Then on the way home, the train stopped in New Haven. Apparently power had gone out in Manhattan's Penn Station. No trains were coming in or going out. Nearly everybody else of the thousand passengers left the train, able to travel locally through Grand Central Station which would honor their tickets on another train. But being the passenger with the farthest distance to travel, I had to stay onboard and for two-and-a-half hours I did. Finally, with no end in sight, almost out of food, I went out into the train station.
I immediately realized there were two options: catch another train, or take my first genuine vacation of a distance past Philadelphia in... I don't want to say... No matter how much my stomach blew up to Veruca Salt-like proportions, I would take the risk.
And so I did what I'd been loathe to do and start regularly taking those beta blockers I've been supposed to take every day since late November. Not for belly bloat, but for heart issues.
And yet the 10 I took it before this week, the biggest impact it had was not on my heart but my stomach, or at least once it had that impact on New Year's Eve. But I never really thought it did again.
Until New Haven! I could eat! I could drink wine! I could go on vacations like a halfway normal person. For three days I went around Yale University, the closest thing America has to a gothic village like Bruges or Avignon where you can picture having a royal wedding then murder your in-laws.
New Haven, full of Yale professors with nothing to do, is one of the best culinary towns in America. Not only is the food amazing, but the nutritional content is listed everywhere. There was barely a place where I was left unnotified of all the ingredients, even before ordering. All the problems and fears of ordering in Baltimore restaurants were nowhere to be found in this leisure resort for smart people. Simple things my body could not keep down were suddenly digested with no trouble: hard cheeses, chocolate, butter, even things I wasn't able to have for years as simple as cucumber and greek yogurt were able to be kept down. Even the carbonation of kombucha did not affect me, and it began to have the stomach settling effect everyone promised.
It's the ultimate proof that ten years' trouble is nothing more in fact than EXTREME visceral hypersensitivity. One full pill every day with eleven refills. Suddenly, my stomach doesn't blow up for more than a few minutes at a time, and for the first time in three years I don't have to eat only six things. Technically I'm still on the same diet, but I'm actually on the diet properly and not just checking ingredients for a hundred things I can't eat lest my stomach turn to Falstaff.
It doubtless may create it's own problems, but if this problem can be dealt with, every other problem is easy in comparison. I can keep losing weight. I can plan meals, I can get to the gym five days a week and turn whatever fat's left over to muscle. Here is the hope we all need that with proper application, problems will eventually be solved.
I've had the pills for a while, but I haven't quite believed in them because... well... for something that's supposed to calm your heart it seemed to create other heart issues, but I'm assured that's a pain in a nerve, not heart. so if I die next week, just know I died fairly happy and hopeful.
On the other hand, if I die next week, it probably won't be from heart issues: at least not directly. It would be from an abscess I'm pretty sure I developed while on vacation after scratching a skin tag too hard in a train bathroom. Today when finally home and finished with a prescribed antibiotic, I had it cleaned. I was told to go to the hospital if it grows back, and now I find myself debating whether or not to go. They didn't tell me what it might be, but I made the mistake of looking up the symptoms, and the abscess is in an area where sepsis becomes a genuine possibility.
Tuesday, February 17, 2026
Enjoy Every Sandwich - Beginning
The greatest thing to happen in years happened this week. Greater than love, greater than friendship, greater than a sports championship, greater than music, books, movies and sex.
I started beta-blockers.
It's the ultimate proof that ten years' trouble is nothing more in fact than EXTREME visceral hypersensitivity. One full pill every day with eleven refills. Suddenly, my stomach doesn't blow up for more than a few minutes at a time, and for the first time in three years I don't have to eat only six things. Technically I'm still on the same diet, but I'm actually on the diet properly and not just checking ingredients for a hundred things I can't eat lest my stomach turn to Falstaff.
It doubtless may create it's own problems, but if this problem can be dealt with, every other problem is easy in comparison. I can keep losing weight. I can plan meals, I can get to the gym five days a week and turn whatever fat's left over to muscle. Here is the hope we all need that with proper application, problems will eventually be solved.
I've had the pills for a while, but I haven't quite believed in them because... well... for something that's supposed to calm your heart it seemed to create other heart issues, but I'm assured that's a pain in a nerve, not heart. so if I die next week, just know I died fairly happy and hopeful.
More later...
Sunday, February 15, 2026
Six months today Dad
You didn't live a short life and survived many health scares, but it was still much too soon. You may not believe me, but I miss you all the time, which is unbelievable even to me because I sense your presence every minute of the day. It still utterly feels like you're here and will send an email or call or enter a room at any moment. Such is the force of your personality that I do not even feel a void where you once were. You make yourself felt even in your absence.