Monday, February 23, 2026
Letter to Dad #1
Thursday, February 19, 2026
For Jose van Dam (1940-2026)
Wednesday, February 18, 2026
Enjoy Every Sandwich - Half of it
The greatest thing to happen in years happened this week. Greater than love, greater than friendship, greater than a sports championship, greater than music, books, movies and sex.
I started beta-blockers.
On vacation.
It was supposed to be an overnight trip to see my favorite conductor and favorite orchestra play my favorite piece of music. A train up, one night in Boston, then a train home. Two glasses of wine in some bar while talking to some guy and our bartendress about... what did we talk about? Then back to my hotel room.
Then on the way home, the train stopped in New Haven. Apparently power had gone out in Manhattan's Penn Station. No trains were coming in or going out. Nearly everybody else of the thousand passengers left the train, able to travel locally through Grand Central Station which would honor their tickets on another train. But being the passenger with the farthest distance to travel, I had to stay onboard and for two-and-a-half hours I did. Finally, with no end in sight, almost out of food, I went out into the train station.
I immediately realized there were two options: catch another train, or take my first genuine vacation of a distance past Philadelphia in... I don't want to say... No matter how much my stomach blew up to Veruca Salt-like proportions, I would take the risk.
And so I did what I'd been loathe to do and start regularly taking those beta blockers I've been supposed to take every day since late November. Not for belly bloat, but for heart issues.
And yet the 10 I took it before this week, the biggest impact it had was not on my heart but my stomach, or at least once it had that impact on New Year's Eve. But I never really thought it did again.
Until New Haven! I could eat! I could drink wine! I could go on vacations like a halfway normal person. For three days I went around Yale University, the closest thing America has to a gothic village like Bruges or Avignon where you can picture having a royal wedding then murder your in-laws.
New Haven, full of Yale professors with nothing to do, is one of the best culinary towns in America. Not only is the food amazing, but the nutritional content is listed everywhere. There was barely a place where I was left unnotified of all the ingredients, even before ordering. All the problems and fears of ordering in Baltimore restaurants were nowhere to be found in this leisure resort for smart people. Simple things my body could not keep down were suddenly digested with no trouble: hard cheeses, chocolate, butter, even things I wasn't able to have for years as simple as cucumber and greek yogurt were able to be kept down. Even the carbonation of kombucha did not affect me, and it began to have the stomach settling effect everyone promised.
It's the ultimate proof that ten years' trouble is nothing more in fact than EXTREME visceral hypersensitivity. One full pill every day with eleven refills. Suddenly, my stomach doesn't blow up for more than a few minutes at a time, and for the first time in three years I don't have to eat only six things. Technically I'm still on the same diet, but I'm actually on the diet properly and not just checking ingredients for a hundred things I can't eat lest my stomach turn to Falstaff.
It doubtless may create it's own problems, but if this problem can be dealt with, every other problem is easy in comparison. I can keep losing weight. I can plan meals, I can get to the gym five days a week and turn whatever fat's left over to muscle. Here is the hope we all need that with proper application, problems will eventually be solved.
I've had the pills for a while, but I haven't quite believed in them because... well... for something that's supposed to calm your heart it seemed to create other heart issues, but I'm assured that's a pain in a nerve, not heart. so if I die next week, just know I died fairly happy and hopeful.
On the other hand, if I die next week, it probably won't be from heart issues: at least not directly. It would be from an abscess I'm pretty sure I developed while on vacation after scratching a skin tag too hard in a train bathroom. Today when finally home and finished with a prescribed antibiotic, I had it cleaned. I was told to go to the hospital if it grows back, and now I find myself debating whether or not to go. They didn't tell me what it might be, but I made the mistake of looking up the symptoms, and the abscess is in an area where sepsis becomes a genuine possibility.
Tuesday, February 17, 2026
Enjoy Every Sandwich - Beginning
The greatest thing to happen in years happened this week. Greater than love, greater than friendship, greater than a sports championship, greater than music, books, movies and sex.
I started beta-blockers.
It's the ultimate proof that ten years' trouble is nothing more in fact than EXTREME visceral hypersensitivity. One full pill every day with eleven refills. Suddenly, my stomach doesn't blow up for more than a few minutes at a time, and for the first time in three years I don't have to eat only six things. Technically I'm still on the same diet, but I'm actually on the diet properly and not just checking ingredients for a hundred things I can't eat lest my stomach turn to Falstaff.
It doubtless may create it's own problems, but if this problem can be dealt with, every other problem is easy in comparison. I can keep losing weight. I can plan meals, I can get to the gym five days a week and turn whatever fat's left over to muscle. Here is the hope we all need that with proper application, problems will eventually be solved.
I've had the pills for a while, but I haven't quite believed in them because... well... for something that's supposed to calm your heart it seemed to create other heart issues, but I'm assured that's a pain in a nerve, not heart. so if I die next week, just know I died fairly happy and hopeful.
More later...
Sunday, February 15, 2026
Six months today Dad
You didn't live a short life and survived many health scares, but it was still much too soon. You may not believe me, but I miss you all the time, which is unbelievable even to me because I sense your presence every minute of the day. It still utterly feels like you're here and will send an email or call or enter a room at any moment. Such is the force of your personality that I do not even feel a void where you once were. You make yourself felt even in your absence.
Sunday, February 8, 2026
Authenticity
So here's the problem:
The guy who writes this page is a good writer, a really good writer, maybe even a great one. If he ever finished a book, people might be really impressed with what he does. He happens to also be a really smart guy who is extremely modest..., and so he hears from most, great company, always ready to make himself vulnerable, loyal to a fault, solicitous to the welfare of those for whom he cares, in spite of his physical ailments a 6'5 adonis, and does his admittedly mediocre best to be reliable in action.
He's also a little crazy.
He's no fool, he knows what's going on, but he's also not a model of balance. He's not nearly as crazy as he seems from description, but also crazier. He could try to conceal the extent of it for more than a short term, but if he did, it wouldn't be true to himself, and he'd lose a lot of the authenticity people find most appealing about him, not to mention; 50% of his best writing.
He writes in the hope that the daemon (demon?) on the page is exorcized, so that he is free to live his personal life with the appearance of a (not particularly) normal person. Some people just have to be creative, and unfortunately it takes precedence over just about everything else in life, because if they do not sacrifice themselves to creating things, the creative urge devours them, and the mind creates situations that sail over its own resistance, even of people with great capacity for rationality. Over the years he's learned a few things about keeping this pack of hounds at bay: the usual psychiatric things of course, but also an extremely steady appetite for learning. The more actively the brain is learning other things, the less actively the brain works against itself.
In terms of craziness, he's probably an 8 out of 10, maybe a 7.7 at this point. Going from 9 to 8 was extremely hard-won, and he'll exert continual effort to lower that number for the rest of his life. In terms of difficulty, at this point in his life, he's probably a 5.25: no pushover but also a person who goes along to get along and lives by a near-religious belief in the importance of compromise, and over the years the trajectory of his number has gone steadily downward. Recent relationships have been a bit stunned by how easy he is to get along with.
No matter what people aspire to be, they have to be themselves, but they can't simply present themselves exactly as they are on the first interaction. That would be still greater madness than any he already knows, and no matter what is discovered afterward, it would be a terrible imposition to admit to a complex situation as a first interaction. One can allude to it, but one can't simply tell it.
Some people manage to conceal truths over a lifetime, but the concealment comes at horrific personal cost of suffering and fear, what could possibly make that worthwhile?
He has learned to hope over the years, not because he's put any great store in hope, but because life has no improvement without the practice of hope, and over the years his hopes have borne out some improvements.
He still doesn't have much audience, though he does have at least a couple dozen devoted readers. He's a little terrified of the concentration and distraction it requires to do serious publicity, but he writes in the hope that he can hold out hope to others in the still darker situations which he, like all of us, fears are imminent for us all. He's accumulated a lot of experience over the years, joy as well as suffering, fun as well as humiliation, courage as well as fear, hope as well as depression. What matters to him, what matters to us all, is the affirming flame, the importance of using the voice one is given as a call to our better angels.
He tells his own story not for his own masturbatory arrogance (or so he hopes), he hopes that by telling his own, he is in fact telling a story of his time, his place, of people like him, even of people who aren't. He's writing about themes common to us all: loneliness and community, suffering and joy, history and the future. Every writer needs an address, a camera through which they perceive the wider world. This camera just happened to be the one at hand. You work with the material you have. This is, for the moment, his best camera, though he hopes to improve some of the others before too long.
He would like to get away from provocative political prognostications, which have gotten him far too easy an audience (such as it is), and get to those things people really care about. The soul-feeding place from where people can derive the inspiration to keep going.
It's a journey. Slowly but surely, he's getting there. As an artist, whatever that means, and far more importantly, as a human. He is not obligated to complete the work, but nor is he free to abandon it, and whenever the darkness deepens and helpers fail (whomever they may be), he will abide.
Friday, February 6, 2026
For Tamas Vasary (1933-2026)
Tamas Vasary was one of the greatest performing musicians of all time. Full stop. His playing is instant catharsis, his conducting scarcely less so, and he was conducting and teaching to nearly the end. In his youth, Deutsche Grammophon recorded and marketed him as a virtuoso. What a shame. In those years, DG's pianist of probity was his fellow Hungarian Geza Anda, whom I think never got to the level of Vasary. In Anda you heard technical perfection: utterly even passage work and balanced chords, god knows what practice it took to get him there, but I've never heard music.
There are a number of ways to make the highest level of music. But one of my favorites is art so subtle that it sounds as though they're playing the music as straight through as Anda, but they're not. It's just phrasing so subtle it can't possibly be noticed. You only notice it by the cathartic effect it has on you. One could call it flow or glow, but it's past even there. It's fully in the 'next world.' Who gets there? Well, it's so few, you'd probably have to look past just pianists. Along with Vasary, Sandor Vegh, Menachem Presler, Adolf Busch, Gustav Leonhardt, Helmut Walcha, Marcel Moyse, Josef Suk, Brendel and Schiff and Kempff at their best but only at their best, if I'm feeling charitable then Grumiaux and Lupu. There are a few who get close: De Larrocha, Pires, Rubinstein, Moravec, Lipatti, Curzon, Milstein, Enescu, Oistrakh... I honestly wonder if that's it. You'll notice how many of them were not just instrumentalists: they were all-around musicians--chamber musicians, teachers, and conducting being their very last priority. This is the very top of the mountain of musical performance, where full-time conductors don't belong. Neither crowd nor craft matters as much to them as music, and music is all they are.
Mozart Piano Concerto No. 17 - London Philharmonic Orchestra - Tamás Vásáry (piano) (RFH, 1981)